This does require a little configuration trick. The nice thing about the D, is that there’s resonance both in high pass and in low pass modes, which opens up a lot of sonic possibilities. You can’t control any of its 3 oscillators separately, but there’s a fourth oscillator that can be controlled independently, and that’s the filter – via a dedicated CV input – and when you crank up emphasis all the way, it resonates and creates its own tone. However, if you’ve seen my channel before, you know I’m not going to let that stop me from trying to play more than one note at a time with it, something that has a unique characteristic in synthesizers that are intended to be monophonic. The Behringer Model D is a great analog synth – and by design it’s monophonic.
The latest loopop video takes a look at using the Behringer Model D synth to create a paraphonic patch.
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